Requiem aeternam (Anerio, Felice) Work Title, Requiem aeternam. Alternative. Title Some WorldCat sources give the title of this as “Missa pro defunctis”. Felice Anerio wrote the motet, but the centrepiece of this disc is the fine requiem mass by his younger brother Giovanni Francesco Anerio. Giovanni Francesco. Giovanni Francesco Anerio spent most of his life in Rome. Of course in this Missa pro Defunctis, Anerio made widespread use of the plainchant in a variety of.
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Plainsong pervades the work, both as cantus firmus and paraphrase, but often in very subtle ways. Unter den Mitgliedern der Kapelle befanden sich zu der Zeit eine Reihe von Komponisten, so etwa Giovanni Maria Nanino, die sich als gleichrangig mit Anerio betrachteten.
The restrained setting matches well the imploring mood of the reqiuem while Anerio relies for expression on the sharpening of thirds and the juxtaposition of major and minor harmonies, something which underlines the poignancy of the words.
Service at various Roman churches followed, including spells as maestro at the Spanish Santa Maria di Monserrato and the English College, before he was appointed composer to the Papal Chapel on the death of Palestrina in The site is also available in several languages.
This Aperite mihi anerii is set for four equal voices TTBB and is fully written in a homophonic style, with some polyphonic elements but contrary to the setting of Givovanni Dragoni this setting by Anerio is very lively, there is some joyful sphere in it.
Grove’s dictionary of music and musicians. Salve regina ist die Marianische Antiphon, die zum Schluss der Komplet beziehungsweise der Vesper zwischen Pfingsten und Advent gesungen wird.
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Anerio Requiem CDH [RH]: Classical CD Reviews- May MusicWeb-International
What accounts for the popularity of this and a handful of similar pieces by other composers from the period? Don’t show me this message again.
Requiems ; Funeral music ; Religious works ; For mixed chorus ; Scores featuring mixed chorus ; For unaccompanied chorus ; For 4 voices ; For unaccompanied voices ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the alto voice ; Scores featuring the tenor voice ; Scores featuring the bass voice ; Latin language. Scores Anerio, Felice Renaissance style Renaissance Requiems Funeral music Religious works For mixed chorus Scores featuring mixed chorus For unaccompanied chorus For 4 voices For unaccompanied voices Scores featuring the voice Scores featuring the soprano voice Scores featuring the alto voice Scores featuring the tenor voice Scores featuring the bass voice Latin language.
Er wurde etwa in Rom geboren und trat, nachdem er eine Musikausbildung genossen hatte, einem niederen geistlichen Stand bei. Please use requim dropdown buttons to set your preferred options, or use the requkem to accept the defaults.
Missa pro Defunctis (Anerio, Giovanni Francesco)
This is also an expressive setting with care taken over the words: He was born in Rome in about and, after a musical education, took minor orders. This movement, describing the Last Judgement, is reuqiem centrepiece of the work and Anerio takes every opportunity to match his music to the words: Most of the movements are written for four voices SATB.
Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. It contrasts a high choir with a low one, something unusual in Roman double-choir music. He too was ordained a priest in In fact there are three settings of this text, two attributed to Felice and one to Giovanni Francesco, though none is found in sources before the nineteenth century.
This setting has a lot rhythmical changes, more chord fluctuations and it counts 15 bars. Jahrhunderts sehr beliebt war.
Contents 1 Performances 1. Contents 1 Performances 2 Sheet Music 2. This music was usually accompanied by organ and other instruments, though anreio in the Sistine chapel, for which the Magnificat setting sung here was written. Retrieved from ” http: The Sequence is written for alternating use. Each of these composers was an individual and, while much of their music did continue to develop the style of the later Palestrina, they also began to explore the new ground opened up, for example, by the advent of the basso continuo.
The verses are divided between the choirs, with important words and phrases being highlighted by antiphonal exchange, by the use of eight voices together, or by changes in texture from homophony to polyphony or vice versa. The movements of this Missa pro defunctis are: Es handelt sich um reqiuem sehr schlichte homophone Vertonung, deren Hauptausdrucksmittel geschickt eingesetzte Vorhalte sind.
In he held post as maestro di musica in Verona. Aperite mihi portas Period: Ad te levavi sets Psalm anfrio penitential text would have made it suitable for singing in Roman oratories during Lent. Of course all the Missa pro Defunctis composed in the Renaissance period I saw are works written with deep devotion and painful hope, but in music terms they seems unbeatable most impressive.
Requiem aeternam Anerio, Felice Genre Categories Requiems ; Funeral anerko ; Religious works ; For mixed chorus ; Scores featuring mixed chorus ; For unaccompanied chorus ; For 4 voices ; For unaccompanied voices ; Scores featuring the voice ; Anfrio featuring the soprano voice ; Scores featuring the alto voice ; Scores featuring the tenor voice ; Scores featuring the bass voice ; Latin language.
Latin from Officium Defunctorum Duration: