HAYDEN WHITE METAHISTORY THE HISTORICAL IMAGINATION IN NINETEENTH-CENTURY EUROPE PDF

In White’s view, beyond the surface level of the historical text, there is a deep structural, or latent, content that is generally poetic and Metahistory: The Historical Imagination in Nineteenth-Century Europe. Front Cover · Hayden White . Since its initial publication in , Hayden White’s Metahistory has remained an essential book for understanding the nature of historical. Title, Metahistory: the historical imagination in nineteenth-century Europe / Hayden White. Author, White, Hayden V., Extent, dpi TIFF G4 page images.

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Paul argues that during the s and early s, White had three key influences: Other editions – View all Metahistory: Be that as it may, it is unclear whether White himself would care to be closely identified with relativist and postmodernist schools of thought, given his sharp critiques of several key figures associated with those schools not only postmodernism’s outspoken official proponent, Jean-Francois Lyotardbut also—and more directly—certain unofficial poststructuralist exponents such as Michel FoucaultRoland Barthes and Jacques Derridawhom White dubbed “absurdist critics”.

These are the two preliminary steps before processing the material into a plot which is argumented as to express an ideology. Historical Consciousness and the Rehirth.

White received his B.

Antoni argued there was no such thing as timeless or ideal types, and ahistorical approaches to history are doomed to fail. Contents Introduction The Poetics of History.

Although his focus on trope and narrative is far from what most historians are interested in, they are kmagination aware of his work.

Metahistory: the historical imagination in nineteenth-century Europe

I get by on a little and try not to wish for a lot. His books and essays analyze the narratives of nineteenth-and twentieth-century historians and philosophers, suggesting that historical discourse is a form of fiction that can be classified and studied on the basis of its structure and its use of language.

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Dec 13, ine. Books by Hayden White. His main argument that historiography has thus far only been literary representations of past events that just like other literature can be categorized can only be regarded as close to the truth; yet, the consequences of this are still open and this ths is thus a good read for present historians to overthink their perspectives, methodological uses and start to move closer to the natural sciences in nineteenth-centjry its ambition, scientific writing, and methodological practices.

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Metahistory: the historical imagination in nineteenth-century Europe

Receive exclusive offers and updates from Oxford Academic. Studies in the Mimesis Effect. His use of the term was somewhat vague — one reviewer distinguished no less than 20 variants of the word.

American Historical Association members Sign in via society site. Notes megahistory Underground in Tropics of Discourse: Okay, that last bit only generally. A very difficult book to read, but it really opened my mind and enlightened me a whole lot! In the s, White turned his attention to narrative, developing a position succinctly expressed in the title of his second collection of essays, The Content of the Form. He does the same for the ways a historian will make their point or pretend not to: See individual entities as components of processes which aggregate into wholes that are greater than the sum of their parts.

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Metahistory: The Historical Imagination in Nineteenth-Century Europe by Hayden White

As an introduction to the thought and work of Hayden White, it is hard to see this volume being surpassed for some considerable time. This article is also available for rental through DeepDyve.

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But this very topic, whether history is a science, a pseudoscience or an art, is precisely what White’s subject authors were debating. The Rise and Fall of Metaphor.

Metahistory: The Historical Imagination in Nineteenth-Century Europe

I felt a great kinship with these eight men, even the ones who answered this question differently, for at least they asked it But after that it came easier, much easier, and at times actually felt fun.

How could historians regain their relevance?

Paul wrote on White for his PhD dissertation, and has consulted White at length in the context of the former project and the current book. Reading this book was so difficult for me, i think, also because i knew so ninetesnth-century or even nothing about many of the people being discussed.

Yet the collection was a revelation — in the sense that it showed there was a lot more to White than a seeming obsession with tropes. White’s approach uses systematically a fourfold structural schema with two terms mediating between a pair of opposites.

Provides the meaning of the story by identifying the kind of story that it is. As one might expect with a book of this size, at times it seems there are several disparate books — or several Hayden Whites — struggling to emerge from its pages.

Aug 30, Mark Bowles rated it really liked it.